Before Kohei Yoshiyuki took his Canon 7 to the parks of Tokyo during the nineteen seventies, voyeurism had existed in Japanese artwork for centuries, as from the sexually charged literary works of Junichiro Tanizaki or while in the seemingly straightforward erotic woodblock prints of Ukiyo?�e.??touches by a nasty decorator. Although https://albertoq753tgq5.newsbloger.com/profile